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"La Fine di Dio - The End of God (1963-1964)"

The pictures in this series are all created on oval canvases of the same size, having constellations of "holes" and/or slashes and/or scratches which in some cases are only found on a part of the single-colour canvas. In other cases they cover the whole of the surface which is painted in oil colours (and sometimes decorated with sequins). This series of works was called "The End of God" by Fontana himself, who explained the choice of names to Carlo Cisventi in an interview in 1963: "For me, they signify the infinite, something inconceivable, the end of figurative representation, the beginning of nothing".

 

 

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