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"Le Pietre - Stones (1952-1956)"

Fontana called the fragments of coloured glass that he applied to the canvases of his pictures "Stones". The surface of the canvas was covered in coloured oil paint, or occasionally aniline, applied as a base, often with constellations of holes. The stones applied to the perforated surface create a further implied spatial dimension: jutting out they contrast with the hollows created by the holes and open up new imaginary paths.

 

 

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